To hear and watch Jimi Hendrix play 12 string acoustic blues guitar click ‘Jimi Hendrix Hear My Train A Comin

Watch his technique and see how much control he has in his bends and his ability to be natural and relaxed throughout this video.  Although the basic theme and chorus of the tune is repetitive, he manages to maintain an interest throught with his variations around them.  The more I hear of Laurence Juber, the more I realise the quality of guitar player that he is.

If you want to here another video of Laurence Juber playing a beautiful slow blues, go to the acoustic guitarist site

These Chords are based around the Key of A.  The Key of A has 3 sharps (#) C sharp, F sharp and G Sharp.   As before in the last article, if you look at the music stave above, you’ll notice that I have numbered each note and also given it an alphabetical name.

I’ll also remind you once again that the way chords are made is generally by taking the 1st, 3rd and 5th of a scale.

If you look at the top line of music above, you’ll see it is A, C# and E, this is called an A major triad.  You could also play a couple of A’s C#’s or E’s  instead of just one, it’s still a A major chord.

If you look at the second line of music above, you’ll see it is A, C natural and E, this is called an A minor triad.  Also, just like the major chord, you could play a couple of A’s C’s  or E’s instead of just one, it’s still aa A minor chord.

The seventh chord consists of the 1st, the 3rd, the 5th and also the 7th note, but this is IMPORTANT. Once again, as in previous article, look closely at the note though, in truth what is known as a 7th is really a flattened 7th, it is one note lower than the seventh note of the normal major scaleTo download the Free High Quality Printable version Click the following Link:

To download the Printable ‘How Guitar Chords are Made’ article, click the link:

How Guitar Chords are Made – A pdf notation and TAB

 For the previous article click How Chords are Made – Key of D

I find that solo acoustic guitar is on of the best ways to really hear a player, so I’ve posted this youtube blog article with Tommy playing solo guitar, the reason I chose Amazing Grace is because it’s a very common turn that most peple would know.  When you hear a player play a common tune it’s a great way to hear own personal musical voice.  Enjoy it.

Note how in the first article C Chords, the Key of C has no sharps (#)or Flats (b) , wheras the G scale has one sharp.  The key of D, you may or nopt know has 2 sharps, F and C are both sharp..this means one note or fret higher up the fret fretboard.
As before in the last article, if you look at the music stave above, you’ll notice that I have numbered each note and also given it an alphabetical name.

I’ll also remind you that the way chords are made is generally by taking the 1st, 3rd and 5th of a scale.

If you look at the top line of music above, you’ll see it is D, F# and A, this is called a D major triad.  You could also play a couple of D’s F#’s or A’s  instead of just one, it’s still a D major chord.

If you look at the second line of music above, you’ll see it is D, F natural and A, this is called a D minor triad.  Also, just like the major chord, you could play a couple of D’s F’s  or A’s instead of just one, it’s still a D minor chord.

The seventh chord consists of the 1st, the 3rd, the 5th and also the 7th note, but this is IMPORTANT. Look closely at the note though, in truth what is known as a 7th is really a flattened 7th, it is one note lower than the seventh note of the normal major scale. Because of the construction of the guitar fretboard, guitar players often leave out notes of a chord, in the case of the D7, I have omitted the A note, but as before in the previous articles listen and you’ll notice that it still sounds right.

To download the Free High Quality Printable version Click the following Link:

How Guitar Chords Are Made – D Chords

The key of C consists of the notes: C D E F G A B and for those that live in Europe, the B is often called H.

We established that a C major chord consists of C, E and G notes, which are the 1st, 3rd and 5th of C. Using that principle,  to create a C6 chord, we would add the 6th note of the scale of C, which is A.

We arrived at that because C = 1, D =2, E = 3, F =4, G =5 and C = 6.

A C6 chord = C E G and A.  The notes don’t necessarily need to be in that order when you play them.

Working out a C6 chord is quite easy, however some of the other chords such as C9, c13 etc gets a little more complex.  Whoever wrote the rules originally didn’t write in a very user friendly manner.  I will be writing more in depth information about chords in the very near future, as I said this is just a short refresher article…with a little more info.

How chords are made is not that difficult to understand.  You will require a tiny bit of patience and the ability to count up to 13 and also know the alphabet from  A to G.

Having a good understanding of how chords are made will help you with your guitar soloing and accompaniment, many guitar players bypass this type of information.  I would encourage you to get on top of the basics of this info and a whole lot of newe areas of your playing will open up.

If you look at the music stave above, you’ll notice that I have numbered each note and also given it an alphabetical name, no big deal, no rocket science here.

Chords are grouped into three basic categories: 

Major, Minor and Sevenths. However I did have a very long discussion once with the great guitar player Ike Isaacs and he was leaving the question open ended about whether there was a fourth type.  But I’ll keep it simple here and agree with most of the planets musicians and say there are three.

Major chords have a strength about them, they are reasonably bright sounding, I could say ‘happy’ sounding but it’s not quite correct. Examples would be C, D, G, A, E with no numbers written after them.

Minor chords are very sad sounding, the saddest of all being the D minor chord.  Many composers for films will write in the key of D minor T evoke sadness in a a film, think tissues and hankies. Examples would be: Dm, Em, Gm, sometimes written with a minus sign D-, E- or Dmin or Emin etc

Seventh chords imply movement.  They are just major chords with an extra note, their sound creates a feeling of wanting to go to another chord. The way that a seventh chord is generally written is:  G7, E7, A7 etc.  They are commonly used in Blues music and variations of 7ths are common in Jazz, they’ll often look like G7b5#9 etc but let’s keep it simple.

The way chords are made is generally by taking the 1st, 3rd and 5th of a scale.

If you look at the top line of music above, you’ll see it is C, E and G, this is called a major triad.  You could play a couple of C’s E’s or G’s in it instead of just one, it’s still a C major chord.

If you look at the second line of music above, you’ll see it is C, E flat ( the little b = flat) and G, this is called a minor triad.  Also, just like the major chord, you could play a couple of C’s Eb’s or G’s in it instead of just one, it’s still a C minor chord.

The seventh chord consists of the 1st, the 3rd, the 5th and also the 7th note, but this is IMPORTANT. Look closely at the note though, in truth what is known as a 7th is really a flattened 7th, it is one note lower than the seventh note of the normal major scale. Because of the construction of the guitar fretboard, guitar players often leave out notes of a chord, in the case of the C7, I have omitted the G note, but listen and you’ll notice that it still sounds right.

In these examples I have used only three note chords, for some situations, using a thrree note chord can be better than a full chord.  Regardless what you use, it’s still valid, three, four, five or six.

To download the Free High QualityPrintable version Click the following Link:

How Guitar Chords Are Made TAB

NOTE: Part 2 will be available within four days.

For Blues Scales go to the following link at my other blog/site:

http://acousticguitarist.wordpress.com/2008/07/08/blues-scales-learn-guitar-tab-and-dots/

Two things that really appeal to me as a musician are:

1) Restraint and understatement
2) Interpretation of other peoples tunes

The ability to not overplay, even if you have the ability to, is a real art, to hold back and create a little tension and space.  I think many of the reggae musicians have mastered that art,; and the ability to imply music and hold back so the listener unconsciously fills in the gaps.

Interpretation is something that not all players can get their head around because they often wish to repeat what they have heard and not have a second thought that a song may have other possibilities.

I’ve stated before that I like John Butler’s music and when I heard him doing the Police tune, ‘Message in a Bottle’ I was very impressed with the way he made it his own. I like the rhythm part, the brushes as the acoustic bass.

To hear more John Butler click the link John Butler